immediategallimaufry:

 Father and Son by John Koch (1955).

immediategallimaufry:

 Father and Son by John Koch (1955).

(via shinyslingback)

kierstenmh:

Isaac Cordal, recently featured on Wooster Collective, is definitely catching my eye as of late. Please check out his work. This tiny piece is located in a puddle on the streets of Berlin. Such humble art.

kierstenmh:

Isaac Cordal, recently featured on Wooster Collective, is definitely catching my eye as of late. Please check out his work. This tiny piece is located in a puddle on the streets of Berlin. Such humble art.

(via shinyslingback)

annsymes:

Brian Collier
Orkney Island series - Soul and Stones (detail) pencil
www.briancollier.co.uk/gallery

annsymes:

Brian Collier

Orkney Island series - Soul and Stones (detail) pencil

www.briancollier.co.uk/gallery

(via shinyslingback)

mimioui:

izumiumi:

オーストリアのブレゲンツで毎年行われているオペラ祭り「ブレゲンツ・フェスティバル」毎年、湖の上に舞台を設置し上演されているのですがその舞台装置が巨大なことで有名です。
Bregenz festival -

すごい。

mimioui:

izumiumi:

オーストリアのブレゲンツで
毎年行われているオペラ祭り「ブレゲンツ・フェスティバル

毎年、湖の上に舞台を設置し上演されているのですが
その舞台装置が巨大なことで有名です。

Bregenz festival -

すごい。

(via shinyslingback)

shinyslingback:

Sensualist and the Sinner 
2008, oil on panel, 66” x 54”

shinyslingback:

Sensualist and the Sinner 

2008, oil on panel, 66” x 54”

shinyslingback:


Rachel Kneebone: Lamentations 2010
The ‘Lamentations 2010’ consist of two sets of three sculptures expressing the trauma of death, loss and grief. Kneebone’s work was described as “depicting an erotic state of flux” and “celebrating forms of transgression, beauty and seduction”. (www.whitecube.com, 2010). Her sculptures are smooth, vulnerable and highly detailed and maniacally thought through to bits. The signature language of the artist are organic forms, body parts, limbs merging entangled together with vines, interlacing with each other. She creates the emotion sewn together by the body parts that express fear and despair.

shinyslingback:

Rachel Kneebone: Lamentations 2010

The ‘Lamentations 2010’ consist of two sets of three sculptures expressing the trauma of death, loss and grief. Kneebone’s work was described as “depicting an erotic state of flux” and “celebrating forms of transgression, beauty and seduction”. (www.whitecube.com, 2010). Her sculptures are smooth, vulnerable and highly detailed and maniacally thought through to bits. The signature language of the artist are organic forms, body parts, limbs merging entangled together with vines, interlacing with each other. She creates the emotion sewn together by the body parts that express fear and despair.

shinyslingback:

Dotty Attie
VERMEER’S WIFE 1988 - OIL ON CANVAS, 9 PANELS

shinyslingback:

Dotty Attie

VERMEER’S WIFE 1988 - OIL ON CANVAS, 9 PANELS

shinyslingback:

www.willashford.com
Will Ashford

Preface vii
 Ink on Paper
2009
7 1/4 “ x  5 1/8 “ 

shinyslingback:

www.willashford.com

Will Ashford



Preface vii

 Ink on Paper

2009

7 1/4 “ x  5 1/8 “ 

shinyslingback:

michaeldinges.com
Michael Dinges
Lifeboat: The Wreck of the Invisible Hand
Engraved Vinyl Siding, Wood, Acylic Paint
2011
22” x  40”  x 132” 

shinyslingback:

michaeldinges.com

Michael Dinges

Lifeboat: The Wreck of the Invisible Hand

Engraved Vinyl Siding, Wood, Acylic Paint

2011

22” x  40”  x 132” 

shinyslingback:

James Bills
  www.jamesbills.com
Golden Parachutes 8x8xRcomposition gold leaf & colored pencil on paper200930” x  40” 

shinyslingback:

James Bills

  www.jamesbills.com

Golden Parachutes 8x8xRcomposition gold leaf & colored pencil on paper200930” x  40” 
possiblyplausible:

Iannis Xenakis, Study for Terretektorh, c. 1965–66

possiblyplausible:

Iannis Xenakis, Study for Terretektorh, c. 1965–66

(via shinyslingback)

artchipel:

Agostino Arrivabene | agostinoarrivabene - Extasis. Oil on canvas linen, 200x170 cm (2009-2010)

artchipel:

Agostino Arrivabene | agostinoarrivabene - Extasis. Oil on canvas linen, 200x170 cm (2009-2010)

(via shinyslingback)